Reviews

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Review by
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3 stars

Autobiographer

Review by
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4 stars

Bás Tongue

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Better Loved From Afar

Review by
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2 stars

Bird with Boy

Review by
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5 stars

Body Electric

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Donald Mahoney

4 stars

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Review by
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3 stars

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4 stars

Cult

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4 stars

Do You Read Me?

Review by
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3 stars

Does Anybody Ever

Review by
Sara Keating

4 stars

Dreams of Love

Review by
Shirley Chance

3 stars

Eternal Rising of the Sun

Review by
Susan Conley

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Follow

Review by
Derek West

5 stars

Gis A Shot of Your Bongos Mister

Review by
Clara Kumagai

4 stars

Hand Me Down The Moon

Review by
Susan Conley

3 stars

Happening

Review by
Peter Crawley

4 stars

Heidi and the Bear

Review by
Susan Conley

2 stars

In My Bed

Review by
Jesse Weaver

4 stars

It's Your Turn To Change Daddy

Review by
Jennifer Lee

2 stars

Jumping Off The Earth

Review by
Christopher McCormack

3 stars

Last Year

Review by
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Love Songs For Losers

Review by
Donald Mahoney

3 stars

Luca & the Sunshine

Review by
Tom Donegan

5 stars

MaDam

Review by
Tom Donegan

2 stars

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Review by
Jesse Weaver

4 stars

My Word Is My Bond

Review by
Derek West

3 stars

Our Father

Review by
Jennifer Lee

4 stars

Pocket Music

Review by
Tom Donegan

3 stars

Seeing and Dreaming

Review by
Jesse Weaver

4 stars

Seekers

Review by
Seona Mac Réamoinn

3 stars

That's About The Size of It

Review by
Susan Conley

3 stars

The Bright Side of the Moon

Review by
Donald Mahoney

2 stars

The Flamboyant Bird

Review by
Jesse Weaver

4 stars

The Yellow Wallpaper

Review by
Tom Donegan

4 stars

Twenty Ten

Review by
Donald Mahoney

4 stars

Welcome to the Forty Foot

Review by
Derek West

3 stars

When Irish Hearts are Praying

Review by
Harry Browne

2 stars

Where Do I Start?

Review by
Jennifer Lee

4 stars
  • Review
  • Theatre

Produced by Dragonfly Theatre Collective in The Pearse Centre

Heidi and the Bear

Sep 15-21; 6.30pm

Review by Susan Conley

Reviewed 14 September 2011

Absolut Fringe 2011

Heidi and the Bear

Heidi and the Bear is framed as a rather sinister fairytale — which actually isn’t much of a stretch, as fairytales are generally sinister by nature. The show begins as the audience are told a story by a deceptively bland narrator, of a couple who could bear no children, of a magical fish who promised them offspring, of the disappearance of the daughter at age sixteen... If you can’t connect the dots, well, you may like to make an appointment with Dr Freud as soon as possible.

The show is staged in promenade, which is an interesting idea as it gives us a literal peek behind closed doors, at a family who may or may not be as ‘good’ as they profess to be. Despite the best efforts of the actors, our destination quickly became far too familiar both physically and narratively; as the audience dutifully trudged one more time up and down the stairs between Heidi’s bedroom and the front room/dining room, whatever dramatic tension there may have been was crushed into the carpet beneath our feet.

Susan Conley