Reviews

Adventures of a Music Nerd (Not Snob!)

Review by
Donald Mahoney

3 stars

As You Are Now So Once Were We

Review by
Kathy Clarke

3 stars

Berlin Love Tour

Review by
Fintan Walsh

5 stars

City West Side Story

Review by
Shirley Chance

3 stars

FAT

Review by
Fíona Ní Chinnéide

3 stars

From The Heart

Review by
Kathy Clarke

3 stars

Heroin

Review by
Donald Mahoney

4 stars

I [heart] Alice [heart] I

Review by
Fíona Ní Chinnéide

4 stars

I Am A Man

Review by
Shirley Chance

3 stars

I Love Guns

Review by
Helen Meany

2 stars

Jerk

Review by
Fintan Walsh

3 stars

Lipstick Service

Review by
Fintan Walsh

3 stars

Listowel Syndrome

Review by
Fintan Walsh

3 stars

Little Iliad

Review by
Jennifer Lee

4 stars

Medea

Review by
Fintan Walsh

5 stars

My Husband is a Spaceman

Review by
Donald Mahoney

4 stars

My Life in Dresses

Review by
Susan Conley

2 stars

Neuropolis

Review by
Harry Browne

4 stars

Paper Boy & Friends

Review by
Donald Mahoney

3 stars

Soh

Review by
Kathy Clarke

4 stars

Strollinstown

Review by
Fíona Ní Chinnéide

3 stars

The Ballet Ruse

Review by
Fintan Walsh

4 stars

The Butcher Babes

Review by
Harvey O'Brien

1 star

The Cappuccino Culture

Review by
Jennifer Lee

2 stars

the next two days of everything

Review by
Kathy Clarke

3 stars

The Truth of the Moon

Review by
Harry Browne

2 stars

Trilogy

Review by
Susan Conley

4 stars

We Are All in the Gutter

Review by
Jennifer Lee

3 stars

What the Folk!

Review by
Peter Crawley

4 stars

Wish I Were Here

Review by
Susan Conley

2 stars

World's End Lane

Review by
Helen Meany

4 stars
  • Review
  • Theatre

Produced by Anu Productions in association with The Lab in The Lab

World's End Lane

Mon 11 – Sat 25 Sep; 6pm, 7pm, 8pm

Review by Helen Meany

Reviewed 16 September 2010

Absolut Fringe 2010

World's End Lane

The question: “if you could change one thing about your life, what would it be?” The answer: a secret told to a stranger in the dark. And there are more questions too, posed to each unnerved audience member, whose experience of this “multi-media live art installation” will be unique. With only three people admitted at a time, each has a solo experience of three episodes, more as a participant than an observer. Anu Productions, under Louise Lowe’s sure direction, is excavating the history of these streets, of the women who worked in the red light district known as Monto, which was closed down in 1925.

There’s no danger of nostalgia here, or some Joycean pageant: the realities of venereal disease, meths addiction and grim exploitation by madams and fancy-men is not flinched from as we move from the street to an intimate booth with peep holes, evoking a confessional as much as a brothel.

“You look nervous,” the security man says, and I have no idea whether he’s got a script. Those children pressing their faces to the window seem to know their cues or, at least, to know more than me. Past and present rush in; the sense of disorientation and danger lingers.