Reviews

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Donald Mahoney

3 stars

As You Are Now So Once Were We

Review by
Kathy Clarke

3 stars

Berlin Love Tour

Review by
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5 stars

City West Side Story

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Shirley Chance

3 stars

FAT

Review by
Fíona Ní Chinnéide

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From The Heart

Review by
Kathy Clarke

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Heroin

Review by
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4 stars

I [heart] Alice [heart] I

Review by
Fíona Ní Chinnéide

4 stars

I Am A Man

Review by
Shirley Chance

3 stars

I Love Guns

Review by
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2 stars

Jerk

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3 stars

Lipstick Service

Review by
Fintan Walsh

3 stars

Listowel Syndrome

Review by
Fintan Walsh

3 stars

Little Iliad

Review by
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4 stars

Medea

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5 stars

My Husband is a Spaceman

Review by
Donald Mahoney

4 stars

My Life in Dresses

Review by
Susan Conley

2 stars

Neuropolis

Review by
Harry Browne

4 stars

Paper Boy & Friends

Review by
Donald Mahoney

3 stars

Soh

Review by
Kathy Clarke

4 stars

Strollinstown

Review by
Fíona Ní Chinnéide

3 stars

The Ballet Ruse

Review by
Fintan Walsh

4 stars

The Butcher Babes

Review by
Harvey O'Brien

1 star

The Cappuccino Culture

Review by
Jennifer Lee

2 stars

the next two days of everything

Review by
Kathy Clarke

3 stars

The Truth of the Moon

Review by
Harry Browne

2 stars

Trilogy

Review by
Susan Conley

4 stars

We Are All in the Gutter

Review by
Jennifer Lee

3 stars

What the Folk!

Review by
Peter Crawley

4 stars

Wish I Were Here

Review by
Susan Conley

2 stars

World's End Lane

Review by
Helen Meany

4 stars
  • Review
  • Theatre

Produced by a smith in Project Arts Centre

the next two days of everything

Wed 15- Sat 18 Sep; 9.30pm

Review by Kathy Clarke

Reviewed 15 September 2010

Absolut Fringe 2010

the next two days of everything

The stage would be bare but for one man, a candle and a xylophone. The lights never dim during this lecture-style performance in which a smith offers up some small thoughts on the big questions of a generation.

He speaks of where he is and where he’s come from. He thinks about what is happening in our world, and what might happen in the future. He takes us on an unassuming journey of discovery.

Dead fish and making money, a world without oil, the future of the travel industry: one could be forgiven for questioning why this discussion has been called a play. Couldn’t a smith have made a documentary or simply invited us for pints?

In truth, we don’t really enjoy listening to other people for too long. We like our news in short sharp bursts of information and take little time to pause, to reflect on the beauty of a moment, to play ten single notes on an underrated musical instrument.

This show forces us to slow down and take forty-five minutes to look at ourselves; an engaging, thoughtful and somewhat surprising performance.