Reviews

Last Train from Holyhead

Last Train from Holyhead by Bernard Field

Digging up the past is textural to Irish Theatre. Put two disaffected Irish men with a twenty-year generational gap on a long train journey late at night, post Christmas. Give them two glasses and a bottle of whiskey and one of them is sure to shovel up a tortured history. As its title screams, Last...

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The Yalta Game and Afterplay

The Yalta Game and Afterplay by Brian Friel

In Gate | Friel, a selection of Brian Friel’s plays are restaged to mark the writer’s 80th year and his relationship with the Gate theatre. Following a successful tour of the Sydney Festival and the Edinburgh International Festival with the help of Culture Ireland, Faith Healer (1979), The...

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The Lonesome West by Martin McDonagh

At the outset of his punchy play, London Irishman, Broadway darling and black-humour’s lodestar Martin McDonagh might have some of theatre’s denizens believing that Irish country life is cruel, heartless, and still entirely peopled by hessian-suited farmers, frustrated priests and lusty colleens....

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Little Gem

Little Gem by Elaine Murphy

[This is a review of the September 2009 run of this production.] Little Gem has already garnered a number of awards including the Stewart Parker for playwright Elaine Murphy. The most recent laurel was the Carol Tambor Best of Edinburgh Fringe accolade which sees this three-hander of grandmother, mother...

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I Am Of Ireland

I Am Of Ireland by Edward Callan

Bosco Hogan, resplendent with flowing gray locks and stern spectacles, wears the character of W.B. Yeats like a comfortable pair of old slippers. It’s a comforting and plausible impersonation, providing an opportunity to revisit, through Hogan’s confident interpretation, so many of the poems...

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New Writing: by Jane McCarthy (Epilogue) and Arnold Thomas Fanning (Shafted)

New Writing at The New Theatre is a week long initiative of new plays by emerging writers. In what promises to mark an on-going commitment to staging new work, the programme features short plays by Jane McCarthy and Arnold Thomas Fanning. In McCarthy’s Epilogue, Henry (Harrington) wakes in the...

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The Seagull

The Seagull by Anton Chekov, in a version by Martin Crimp

Love stinks. As far as premises go, this covers a fair few texts, if not entire theatrical oeuvres. In NYT's production of Martin Crimp’s concertinaed version of Chekov’s very long and often turgid text, this rock ‘n’ roll notion is foregrounded and indeed illuminated by director...

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Breathing Corpses

Breathing Corpses by Laura Wade

There is a brilliant structure to Breathing Corpses. Young English playwright Laura Wade’s 2006 play presents us with what at first seem like disparate and unconnected tales that all feature, at some point, a corpse – but as the drama unfolds we realise that we are watching events that are...

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Faithful

Faithful by Chaz Palminteri

Faithful is a comic three-hander – or more correctly, a two-hander in the first act that becomes a three-hander in the second half. It tells the tale of a husband, Jack (David O’ Meara) who hires a hit man, Tony (Don Wycherley) to knock off his wife, Margaret (Carrie Crowley). Ostensibly,...

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The Cat and the Moon

The Cat and the Moon by WB Yeats

The Cat and the Moon is Blue Raincoat’s fourth production this year, conveniently taking place alongside the 50th Yeats International Summer School. Sure enough, the crowd that fills the foyer of the Factory space for this 30-minute lunchtime show seems to fit this studious demographic, and the...

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