Reviews

A Murder of Crows

A Murder of Crows by Mike Kenny

You can learn something new every day. ‘Murder’ is the collective noun for a significant number of crows, and there is an abundance of crows associated with death and decomposition: Shakespeare filled Macbeth with carrion as sinister harbingers of fatality; Ted Hughes took his Crow to the...

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Guidelines for a Long and Happy Life

Guidelines for a Long and Happy Life by Paul Kennedy

“Once upon a time there was a world. And then it got fucked”. It’s a terse summary of the starting point for Paul Kennedy’s Guidelines for a Long and Happy Life, Tinderbox Theatre Company’s contribution to the 2011 Belfast Festival at Queen’s. It’s voiced by...

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Phaedra Backwards

Phaedra Backwards by Marina Carr

“I just got bored with the 'well-made play' – beginning, middle, and end, you know? We’re all kind of bored of it.” So said playwright Marina Carr on why her latest work, Phaedra Backwards, is set in “Now and Then. Then and Now. Always.” Premiering in the McCarter...

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Both Sides

Both Sides by Ransom

What does the future hold for a terrorist when the war is over? It’s not the first time that question has been asked in a play about Northern Ireland but it’s the first time that two playwrights from different generations and backgrounds have been commissioned to write interlocking pieces...

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Skullduggery

Skullduggery by Gerard O’Shea

There are any number of ‘road trip’ touchstones to be consulted when faced with a road trip play, and in this case Thelma and Louise seems most relevant, despite the gender of the characters and the reasons for the journey. In Skullduggery, we’ve got two inner city lads hopping into...

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Clann Lir & Mise, Scéal Cailín

Clann Lir & Mise, Scéal Cailín by Branar

The power of the imagination to create magic or ‘draíocht’ is central to Branar’s two recent works of puppet theatre, Clann Lir and Mise, Scéal Cailín. As the puppeteers explained before each show began, music is central to conjuring the enchanted worlds that Branar’s characters...

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Shipwrecked

Shipwrecked by eX ensemble

"Renaissance Cabaret Oratorio". It's a curious tag to hang around a new piece of work, and a safe bet that it has never previously been utilised in the entire history of music theatre. It’s nonetheless a fair summary of the various strands of influence which have gone into the making...

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The Winter's Tale

The Winter's Tale by William Shakespeare

The chill in the air is unmistakable, reinforced by the holographic image of fat snowflakes falling projected onto a progressive series of scrims stretched across the entirety of the Cork Opera House stage. Layered on top of this are washed out home movies depicting the fragmented images of childhood...

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The Country Girls

The Country Girls by Edna O'Brien

Edna O’Brien’s first novel, The Country Girls, originally published in the UK in 1960 was banned in Ireland for its then shocking portrayal of two young girls’ social and sexual exploits. Set in the 1950s in a parish in the West and then Dublin, the stage play expands on the novel dramatising...

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Egg

Egg by Cahoots NI

If children’s theatre is to be effective it needs to be as uncompromising in its production values as that of adults. With a backstage team of ten supporting a cast of three, Cahoots take seriously the task of making a play out of an egg, inside a black box. Directed with exacting precision by...

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