Reviews

The Titanic Boys

The Titanic Boys by Martin Lynch, music and lyrics by JJ Gilmour

And still they come: in this centenary year of the great, perished liner, a slew of Titanocentric artworks continues to be launched from the creative slipways of its native city. This latest offering focuses on the little-known story of “The Guarantee Group”, a team of nine Harland and Wolff...

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Jack Kairo and the Long Hard Kiss Goodbye

Jack Kairo and the Long Hard Kiss Goodbye by Simon Toal, with Patrick O’Donnell and Vincent A. Reilly

This isn’t detective Jack Kairo’s first time on stage. Conceived and performed by Simon Toal, the character previously featured in the one-man show The Friends of Jack Kairo, which premiered at the Dublin Fringe Festival in 2005. In this latest instalment, Toal is joined on stage by Patrick...

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Basra Boy

Basra Boy by Rosemary Jenkinson

Distressed brickwork on a grey-russet backdrop, tattered Union bunting draped slant-wise across it, and a battered city council wheelie-bin stage-centre: this is Rosemary Jenkinson’s East Belfast, and a Michelangelo fresco it decidedly isn’t. It spawns Speedy - teenage Orange fluter, smack-head,...

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Seo Robert / Here's Robert

Seo Robert / Here's Robert by Noel McGee

Given the scope of his cultural and commercial influence, surprisingly little is known of Robert Shipboy McAdam, a member of a remarkable generation of Northern Presbyterians, who saw no contradiction between loyalty to the British Crown and devotion to the Irish language. Within the recently-designated...

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D.R.A.G. - Divided, Radical and Gorgeous

D.R.A.G. - Divided, Radical and Gorgeous by Niall Rea

Love across the barricades. It’s a familiar and recurring plotline in stories and plays about Northern Ireland. But in Niall Rea's pithy, hour-long drama, the barricades are constructed upon sexual rather than sectarian politics. Still, social and cultural division provides the climate for an...

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Overtime

Overtime by Jane McCarthy

“It’s not how it is, it’s how it looks.” This is the common refrain in Jane McCarthy’s Overtime, a play that is both a deranged man’s conversation with himself, and a discussion between two businessmen on the ethics of the corporate world. Overtime begins far past...

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Galway Fringe Festival 2012

Galway Fringe Festival 2012 by various

The inaugural Galway Fringe Festival boasted over thirty theatre performances (including ten student productions), twelve dance shows, an exhibition featuring the work of over fifty artists, as well as a selection of rehearsed readings, cabaret, comedy, music gigs and workshops. Conceived by festival...

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Frank Pig Says Hello

Frank Pig Says Hello by Patrick McCabe

Frank Pig Says Hello, Pat McCabe’s stage version of his acclaimed novel The Butcher Boy, first appeared as part of the 1992 Dublin Theatre Festival. Yet, overshadowed by Neil Jordan’s 1997 film adaptation of the novel, the play has rarely been revived since its premiere. This vibrant co-production...

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Oleanna

Oleanna by David Mamet

Under Ruth Calder-Potts' direction, Company D's simple, sleek production of Mamet's Oleanna captures the complex power play between the two characters intriguingly well. In the first of three scenes, the college professor, John (David Scott) arrogantly claims that it is his job to provoke Carol (Sinéad...

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Watt

Watt by Samuel Beckett, adapted for stage by Barry McGovern

What Watt play by Samuel Beckett? In this Gate Theatre production, Galway Arts Festival audiences discovered that even Beckett will school-boyishly pun in actor Barry McGovern’s engaging and quietly confident stage animation of the 1945 book. The ‘difficult’ original is purposely disjointed...

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